David Bowie – Heathen (2002) [SACD 2.0 & 5.1]
PS3 Rip | ISO | SACD DSD64 2.0 & DST64 5.1 > 1-bit/2.8224 MHz | 71:44 minutes | Scans included | 5,36 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | 69:53 min | Scans included | 1,41 GB
Features 2.0 Stereo and 5.1 multichannel surround.
Heathen marks a new beginning for David Bowie in some ways — it’s his first record since leaving Virgin, his first for Columbia Records, his first for his new label, ISO — yet it’s hardly a new musical direction. Like Hours, this finds Bowie sifting through the sounds of his past, completely at ease with his legacy, crafting a colorful, satisfying album that feels like a classic Bowie album. That’s not to say that Heathen recalls any particular album or any era in specific, yet there’s a deliberate attempt to recapture the atmosphere, the tone of his ’70s work — there’s a reason that Bowie decided to reteam with Tony Visconti, the co-producer of some of his best records, for this album — even if direct comparisons are hard to come by. Which is exactly what’s so impressive about this album. Bowie and Visconti never shy away from electronic instrumentations or modern production — if anything, they embrace it — but it’s woven into Bowie’s sound subtly, never drawing attention to the drum loops, guitar synths, and washes of electronica. For that matter, guest spots by Dave Grohl and Pete Townshend (both on guitar) don’t stand out either; they’re merely added texture to this an album that’s intricately layered, but always plays smoothly and alluringly. And, make no mistake, this is an alluring, welcoming, friendly album — there are some moody moments, but Bowie takes Neil Young’s eerie “I’ve Been Waiting for You” and Pixies’ elusively brutal, creepy “Cactus” and turns them sweet, which isn’t necessarily a bad thing, either. In the end, that’s the key to Heathen — the undercurrent of happiness, not in the lyrics, but in the making of music, a realization by Bowie and Visconti alike that they are perfect collaborators. Unlike their previous albums together, this doesn’t boldly break new ground, but that’s because, 22 years after their last collaboration, Scary Monsters, both Bowie and Visconti don’t need to try as hard, so they just focus on the craft. The result is an understated, utterly satisfying record, his best since Scary Monsters, simply because he’d never sounded as assured and consistent since.
01 – Sunday
02 – Cactus
03 – Slip Away
04 – Slow Burn
05 – Afraid
06 – I’ve Been Waiting For You
07 – I Would Be Your Slave
08 – I Took A Trip On A Gemini Spaceship
09 – 5:15 The Angels Have Gone
10 – Everyone Says ‘Hi’
11 – A Better Future
12 – Heathen (The Rays)
13 – When The Boys Come Marching Home
14 – Wood Jackson
15 – Conversation Piece
16 – Safe
Mixed for 5.1 Surround Sound by Tony Visconti & Hector Castillo at Looking Glass Studios, NY.
Mastered for SACD by Vlado Meller at Sony Music Studios, New York, NY.