Marco Brescia – Zipoli in Diamantina (2020)
FLAC (tracks) 24 bit/96 kHz | Time – 01:08:07 minutes | 1,39 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Paraty
The present album – the first recording made on the historic organ Almeida e Silva of Diamantina (1787), state of Minas Gerais, Brazil – consists of the complete organ works published by Domenico Zipoli (Prato, Italy, 1688 – Córdoba, Argentina, 1726) in his Sonate d’Involatura per organo e cimbalo (Rome, 1716), besides some works attributed to the composer from the manuscript Sones mo organo (1746), a miscellany of keyboard works from the Jesuit mission of San Rafael de Velasco, Bolivia.
The Chiquitos’ works selected for the present recording were very likely disseminated by priest Martin Schmid. Even if not effectively composed by Zipoli, they do reveal a clear stylistic influence of the composer who passed away in the Córdoba missions, where Schmid was in 1729 before leading to the Chiquitanía.
The repertoire presented in this album follows a historically informed approach seeking a commitment between the performance traditions from Italy and Spain of the first half of the 18th century, using for this purpose an 18th century sound source of autochthone Brazilian construction, of which the aesthetical characteristics led to a conscious performance of a Zipoli with a pronounced Ibero-American accent.
Zipoli in Diamantina: the first recording made on the historic organ Almeida e Silva of Diamantina (1787), state of Minas Gerais, Brazil—consists of the complete organ works published by Domenico Zipoli (Prato, Italy, 1688 – Córdoba, Argentina, 1726) in his Sonate d’Involatura per Organo e Cimbalo (Rome, 1716), besides some works attributed to the composer from the manuscript Sones mo organo (1746), a miscellany of keyboard works from the Jesuit mission of San Rafael de Velasco, Bolivia. The Chiquitos’ works selected for the present recording were very likely disseminated by priest Martin Schmid. Even if not effectively composed by Zipoli, they do reveal a clear stylistic influence of the composer who passed away in the Córdoba missions, where Schmid was in 1729 before leading to the Chiquitanía. The repertoire presented in this album follows a historically informed approach seeking a commitment between the performance traditions from Italy and Spain of the first half of the 18th century, using for this purpose an 18th century sound source of autochthone Brazilian construction, of which the aesthetical characteristics led to a conscious performance of a Zipoli with a pronounced Ibero-American accent.
Tracklist
1. Marco Brescia – Sonate d’Intavolatura per Organo e Cimbalo, Op. 1: I. Toccata in Re Minore
2. Marco Brescia – Sonate d’Intavolatura per Organo e Cimbalo, Op. 1: II. Verso I in Re Minore
3. Marco Brescia – Sonate d’Intavolatura per Organo e Cimbalo, Op. 1: III. Verso II in Re Minore
4. Marco Brescia – Sonate d’Intavolatura per Organo e Cimbalo, Op. 1: IV. Verso III in Re Minore
5. Marco Brescia – Sonate d’Intavolatura per Organo e Cimbalo, Op. 1: V. Verso IV in Re Minore
6. Marco Brescia – Sonate d’Intavolatura per Organo e Cimbalo, Op. 1: VI. Canzona in Re Minore
7. Marco Brescia – Sonate d’Intavolatura per Organo e Cimbalo, Op. 1: VII. All’Elevazione in Do Maggiore
8. Marco Brescia – Sonate d’Intavolatura per Organo e Cimbalo, Op. 1: VIII. All’Offertorio in Do Maggiore
9. Marco Brescia – Sonate d’Intavolatura per Organo e Cimbalo, Op. 1: IX. Verso I in Do Maggiore
10. Marco Brescia – Sonate d’Intavolatura per Organo e Cimbalo, Op. 1: X. Verso II in Do Maggiore
11. Marco Brescia – Sonate d’Intavolatura per Organo e Cimbalo, Op. 1: XI. Verso III in Do Maggiore
12. Marco Brescia – Sonate d’Intavolatura per Organo e Cimbalo, Op. 1: XII. Verso IV in Do Maggiore
13. Marco Brescia – Sonate d’Intavolatura per Organo e Cimbalo, Op. 1: XIII. Canzona in Do Maggiore
14. Marco Brescia – Sonate d’Intavolatura per Organo e Cimbalo, Op. 1: XIV. All’Elevazione in Fa Maggiore
15. Marco Brescia – Sonate d’Intavolatura per Organo e Cimbalo, Op. 1: XV. Al Post Comunio in Fa Maggiore
16. Marco Brescia – Sonate d’Intavolatura per Organo e Cimbalo, Op. 1: XVI. Verso I in Fa Maggiore
17. Marco Brescia – Sonate d’Intavolatura per Organo e Cimbalo, Op. 1: XVII. Verso II in Fa Maggiore
18. Marco Brescia – Sonate d’Intavolatura per Organo e Cimbalo, Op. 1: XVIII. Verso III in Fa Maggiore
19. Marco Brescia – Sonate d’Intavolatura per Organo e Cimbalo, Op. 1: XIX. Verso IV in Fa Maggiore
20. Marco Brescia – Sonate d’Intavolatura per Organo e Cimbalo, Op. 1: XX. Canzona in Fa Maggiore
21. Marco Brescia – Sonate d’Intavolatura per Organo e Cimbalo, Op. 1: XXI. Pastorale in Do Maggiore
22. Marco Brescia – Sonate d’Intavolatura per Organo e Cimbalo, Op. 1: XXII. Verso I in Mi Minore
23. Marco Brescia – Sonate d’Intavolatura per Organo e Cimbalo, Op. 1: XXIII. Verso II in Mi Minore
24. Marco Brescia – Sonate d’Intavolatura per Organo e Cimbalo, Op. 1: XXIV. Verso III in Mi Minore
25. Marco Brescia – Sonate d’Intavolatura per Organo e Cimbalo, Op. 1: XXV. Verso IV in Mi Minore
26. Marco Brescia – Sonate d’Intavolatura per Organo e Cimbalo, Op. 1: XXVI. Canzona in Mi Minore
27. Marco Brescia – Sonate d’Intavolatura per Organo e Cimbalo, Op. 1: XXVII. Verso I in Sol Minore
28. Marco Brescia – Sonate d’Intavolatura per Organo e Cimbalo, Op. 1: XXVIII. Verso II in Sol Minore
29. Marco Brescia – Sonate d’Intavolatura per Organo e Cimbalo, Op. 1: XXIX. Verso III in Sol Minore
30. Marco Brescia – Sonate d’Intavolatura per Organo e Cimbalo, Op. 1: XXX. Verso IV in Sol Minore
31. Marco Brescia – Sonate d’Intavolatura per Organo e Cimbalo, Op. 1: XXXI. Canzona in Sol Minore
32. Marco Brescia – Manuscript, Sones mo organo, San Rafael de Velasco, Bolivia: Tocada
33. Marco Brescia – Manuscript, Sones mo organo, San Rafael de Velasco, Bolivia: Obra de I tono
34. Marco Brescia – Manuscript, Sones mo organo, San Rafael de Velasco, Bolivia: Príncipe
35. Marco Brescia – Manuscript, Sones mo organo, San Rafael de Velasco, Bolivia: Retirada del Emperador de los dominios de España
36. Marco Brescia – Manuscript, Sones mo organo, San Rafael de Velasco, Bolivia: Primavera
37. Marco Brescia – Manuscript, Sones mo organo, San Rafael de Velasco, Bolivia: Folías
Download:
mqs.link_Marc0BresciaZip0liinDiamantina20202496.part1.rar
mqs.link_Marc0BresciaZip0liinDiamantina20202496.part2.rar