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Julian Velasco, Winston Choi – As We Are (2022)
FLAC (tracks) 24 bit/96 kHz | Time – 01:12:59 minutes | 1,22 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Cedille
Saxophonist Julian Velasco headlines an inventive, virtuosic, and diverse album of contemporary classical works for soprano, alto, and tenor sax as winner of Cedille Records’ first Emerging Artist Competition, a juried event celebrating the independent classical label’s 30th anniversary of championing Windy City artists of world-class talent.
For his first-ever album as a featured soloist, Velasco has assembled a program he says reflects “the different musical aspects of my life at this moment” while paying tribute to “the unique and wonderful people with whom I have been lucky enough to surround myself.”As We Are opens with works for saxophone and piano, performed with collaborative pianist extraordinaire Winston Choi. These include the world-premiere recording of classical saxophonist and composer Steven Banks’ Come As You Are, with Velasco on tenor sax, a composition influenced by African American sacred music and structured like a four-movement sonata. Velasco picks up his alto sax for David Maslanka’s Tone Studies No. 5: Wie bist du, Seele, which adopts its melody from a J. S. Bach four-part chorale. John Anthony Lennon’s Distances Within Me explores the vocal qualities of the alto sax in a score drawing inspiration from early 20th-century avant-gardist Alban Berg’s Wozzeck and jazz fusion bands like pianist Chick Corea’s Return to Forever. Amanda Harberg’s Court Dances, heard here in the world-premiere recording of the soprano sax version, is a three-movement suite referencing French Renaissance and Baroque court dances.
Works for saxophone and electronics include world premieres of the soprano sax versions of Elijah Daniel Smith’s Animus and Christopher Cerrone’s Liminal Highway. Animus places the live-in-studio saxophonist “in conversation” with his own recordings. Liminal Highway, inspired by a John K. Sampson poem of the same name, calls for extended techniques such as flutter-tongue, slap-tongue, and key clicks, while enlisting a harmonica and empty beer bottles, also played by the saxophonist.
Tracklist:
01. Julian Velasco & Winston Choi – Banks: Come as You Are: I. Lift My Eyes (05:39)
02. Julian Velasco & Winston Choi – Banks: Come as You Are: II. Times of the Storm (03:26)
03. Julian Velasco & Winston Choi – Banks: Come as You Are: III. Strength of My Life (04:47)
04. Julian Velasco & Winston Choi – Banks: Come as You Are: IV. Lift My Eyes (04:21)
05. Julian Velasco & Winston Choi – Maslanka: Tone Studies for Alto Saxophone & Piano: No. 5, Wie bist du, seele (05:02)
06. Julian Velasco & Winston Choi – Lennon: Distances Within Me (11:27)
07. Julian Velasco & Winston Choi – Harberg: Court Dances for Flute & Piano (Arr. J. Velasco for Soprano Saxophone & Piano): No. 1, Courante (03:51)
08. Julian Velasco & Winston Choi – Harberg: Court Dances for Flute & Piano (Arr. J. Velasco for Soprano Saxophone & Piano): No. 2, Air de cour (05:36)
09. Julian Velasco & Winston Choi – Harberg: Court Dances for Flute & Piano (Arr. J. Velasco for Soprano Saxophone & Piano): No. 3, Tambourin (04:26)
10. Julian Velasco & Winston Choi – Smith: Animus (07:44)
11. Julian Velasco & Winston Choi – Cerrone: Liminal Highway: I. When You Fall Asleep in Transit (03:04)
12. Julian Velasco & Winston Choi – Cerrone: Liminal Highway: II. A Dream You Don’t Recall (03:56)
13. Julian Velasco & Winston Choi – Cerrone: Liminal Highway: III. Between Consciousness and Sleep (02:33)
14. Julian Velasco & Winston Choi – Cerrone: Liminal Highway: IV. Liminal (03:44)
15. Julian Velasco & Winston Choi – Cerrone: Liminal Highway: V. Suddenly It Is Missing (03:15)
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