Jon Balke – Warp (2016) [Qobuz FLAC 24bit/96kHz]

Warp situates the solo piano of Norway’s Jon Balke within a subtle architecture of composed soundscapes, in fluctuating dimensions of space. And what begins as gently exploratory solo piano gradually acquires an almost hallucinatory aspect. Balke’s solo piano, the sound images and the additional field recordings were integrated in the mix of the album at RSI Studio Lugano in September 2015. Warp was produced by Jon Balke and Manfred Eicher.

Jon Balke’s musical life has been lived on the wide-open fringe of expression. He has utilized conventional Western European and Asian folk traditions, electronics, classical, jazz and avant-garde techniques, and various spoken, sung, and percussive languages. Given all of his previous experimentation, Warp is one of the most mysterious dates in his career. The vast majority of the 16 pieces here are miniatures, only one is over five minutes. Balke plays solo piano throughout, and accompanies himself by utilizing field recordings and other electronic sounds placed carefully in the backdrops and margins. It would seem this work is one piece initially – you have to look at the inside sleeve to see the individual titles; but instead, this is a work of carefully sequenced individual works that present a labyrinth. “Heliolatry” opens in the piano’s lower middle register with dark, brooding notes. A fluttery static and the scraping of strings inside the instrument lend a backdrop to a thematic flurry of notes and scales as they dialogue with one another. Static and what sounds like an organ pair with the wordless vocals of Wenche Losnegaard in “On and On,” which ends with an open-ended question. “Bolide” possesses a hymn-like, folk song quality, while sparse processional chordal statements make up its corpus on either side of middle C. The all-too-brief “Shibboleth” employs somewhat angular improvisation, with field-recorded percussive sounds lining the frame. Balke actually slips into Lennie Tristano-esque scalar runs and then moves off center in a more speculative – and dissonant – direction. The indecipherable “announcement reading” of Balke’s daughter Ellinor provides a sound sculpture for his plucked bass strings to bridge just the hint of a melody. It’s followed by the genuinely haunting “Slow Spin,” a jazz improvisation that is framed ever so faintly with droning electronic sounds. While “Kantor” asserts itself as a lithe, elliptical piano interlude, it is transformed by a mesh of field-recorded sounds and the voice of Mattis Myrland into a gorgeous art song. The album closes with a variation on “Heliolatry,” then forgoes the inner instrument scraping for a more assertive dialogue with a synth imitating an organ. Balke’s piano is assertive, creating a leitmotif from the more spectral dark notes in the first version. Warp is curious. Its quark strangeness may prove a tad unsettling early on, but settles into a quietly compelling invitation for the listener. The entire experience offers a different series of questions, answers, and conclusions each time it is encountered. The language Balke speaks is that of the piano as it encounters the inner resonances of its physical body, as well as those of the outer, indefinable tongues of sound itself.

Tracklist:
01 – Heliolatry
02 – This Is The Movie
03 – Bucolic
04 – On And On
05 – Bolide
06 – Amarinthine
07 – Shibboleth
08 – Mute
09 – Slow Spin
10 – Boodle
11 – Dragoman
12 – Kantor
13 – Geminate
14 – Telesthesia
15 – Geminate (Variation)
16 – Heliolatry (Variation)

Produced by Jon Balke and Manfred Eicher.
Recording Engineer: Jan Erik Kongshaug. Mix Engineer: Stefano Amerio (RSI-Lugano).
Recorded September 27-28, 2014 at Rainbow Studio, Oslo, Norway.
Sound images recorded and processed at Madstun by Audun Kleive and Jon Balke.

Musicians:
Jon Balke – piano, sound images
Mattis Myrland – vocals
Wenche Losnegaard – vocals
Ellinor Myskja Balke – announcement reading

Download:

mqs.link_JnBalkeWarp2016Qbuz2496.rar