In 1535 Sylvestro Ganassi published in Venice the first treatise developing the technique of the art of ornamentation at an unprecedented level of rhythmic complexity and virtuosity. Playing the recorder, the instrument to which Ganassi devoted his work, Denis Raisin Dadre applies the rules of the treatise to the repertoire that Ganassi practiced, frottole and, above all, the madrigals of Philippe Verdelot. With the ornaments, the music proves to be a living art that practices a constant rhythmic shift, the exuberant virtuosity of improvisations and a ‘swing’ that would be typical of jazz in the 20th century.
Tracklist
1 Tutto il di piango 03:50
2 Tutto il di piango (Instrumental) 04:05
3 Nunqua fu pena magiore 07:43
4 Padouana della Ragione 02:55
5 Igno soave 02:09
6 Igno soave (Instrumental) 02:19
7 Ardenti miei sospiri 03:26
8 adouana La Ternarina 01:40
9 Donna che sete tra le belle bella 02:43
10 Donna che sete (Instrumental) 02:48
11 Dormendo un giorno 02:37
12 Aldi donna non dormire 03:22
13 Fantasia sopra se mai provasti 02:33
14 Se a vostra voglia 04:44
15 In me cresce lardore (Instrumental) 03:20
16 In me cresce lardore 03:12
17 Madonna qual certezza 02:55
18 Madonna qual certezza 02:33
19 Madonna qual certezza (Instrumental) 02:47
20 Pacientia ognom mi dice 05:42
Personnel
Doulce Mémoire
Denis Raisin Dadre, recorders & direction
Clara Coutouly, soprano
Pascale Boquet, renaissance lute
Bérengère Sardin, harp
Sébastien Wonner, spinet & clavicytherium
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