Amuse-Bouche: French Choral Music – Robert Hollingworth, I Fagiolini (2016) [Qobuz FLAC 24bit/96kHz]

Amuse-Bouche: French Choral Music – Robert Hollingworth, I Fagiolini (2016)
FLAC (tracks) 24-bit/96 kHz | Time – 01:21:15 minutes | 1,35 GB | Genre: Classical
Studio Master, Official Digital Download – Source: Qobuz | Digital Booklet | © Decca
Recorded: All Saints Church, Tooting, London, 29 June-2 July 2015

Award-winning vocal group I Fagiolini celebrates its 30th anniversary with a new release, Amuse-Bouche, offering a rich concoction of 20th Century choral delicacies and marking a departure from their previous recordings of Renaissance music. This new Decca Classics recording includes three world premieres bursting with Gallic flavour.

Chief among them is the first recording of an 18-minute humorous homage to French cuisine by Jean Françaix. His Ode à la Gastronomie is an affectionate parody of sage advice from the great 19th century guide to French food and dining, La Physiologie du gout (1825), by Brillat-Savarin.

Composed in 1950 but never since recorded since, subjects covered range from causes of indigestion to the erotic properties of the black truffle, with the music recalling Poulenc and infused with the high octane intellectual aroma of 1950s Parisian café life.

According to the composer’s son, Jacques, this particularly rich parody involving onomatopoeic word-play (kitchen noises) and plenty of gastronomic puns, requires a ‘fondu exceptionnel’, the perfect blend of voices, which he says I Fagiolini delivers par excellence. Conductor Robert Hollingworth says: “it’s a joy to sing, and a meal in itself to learn.”

Alongside Françaix’s amuse-oreille is Jean-Yves Daniel-Lesur’s 12-voice masterpiece, Les Cantique Des Cantiques. Composed within two years of the Françaix, it portrays the erotically charged Biblical Song of Songs as a dialogue between Christ and the Church. In a ravishing and symphonic kaleidoscope of colours Daniel-Lesur’s constantly changing combination of voices transforms the Old Testament verses into a profound Christian meditation.

These two large-scale works are separated by a collection of smaller pieces designed as a series of palette-cleaning sorbets between the main courses. Francis Poulenc struggled for nearly 20 years to set poems by his friend, the surrealist, Paul Éluard, employing dramatic harmonic shifts to reflect emotions that veer violently between extremes to find sublime moments of exquisite tenderness.

There is also a nod to the 150th anniversary of the birth of Eric Satie as the pianist, Anna Markland, plays three of Satie’s six gentle Gnossiennes. Winner of the BBC’s Young Musician of the Year in 1982 at the age of 17, Anna Markland joined I Fagiolini four years later as a soprano and she takes centre stage as pianist in the second world premiere on the album, playing one of her favourite pieces in a specially commissioned vocalised version by a former member of I Fagiolini, Roderick Williams, now one of the UK’s leading baritones.

He has taken words by Baudelaire and Rimbaud and set them within the reflective and moving middle movement of Ravel’s Piano Concerto in G.

For the group’s Director, Robert Hollingworth (celebrating his 50th birthday this year), this recording is a long held ambition. Of all languages, he finds French the most beautiful to sing in and says there is a world of wonders in the 20th Century French choral repertoire. “I adore it. It feels as much a part of me as any Monteverdi madrigal. The sensuality of the language, the shifting sands of harmony; it feels very chaleureux and something I Fagiolini has long sung and adored.”


1. Pro fumo 00:26

Francis Poulenc (1899-1963)
Banalités, FP 107
2. Hôtel 02:02

Jean Françaix (1912-1997)
Ode à la gastronomie
3. 1. La physiologie du goût 07:56
4. 2. Père Bernadin et la truffe noire 04:51
5. 3. Gastéréa, dixième des Muses 04:19

Erik Satie (1866-1925)
6. Gnossienne No. 4 03:11

Jean-Yves Daniel-Lesur (1908-2002)
Le Cantique des cantiques
7. 1. Dialogue 03:19
8. 2. La voix du bien-aimé 03:28
9. 3. Le songe 01:36
10. 4. Le Roi Salomon 01:31
11. 5. Le jardin clos 04:16
12. 6. La sulamite 03:19
13. 7. Epithalame 02:39
Erik Satie (1866-1925)
14. Gnossienne No.5 03:27

Francis Poulenc (1899-1963)
Sept Chansons, FP 81
15. 1. La blanche neige 01:19
16. 2. A peine défigurée 01:28
17. 3. Par une nuit nouvelle 01:32
18. 4. Tous les droits 02:29
19. 5. Belle et ressemblante 01:54
20. 6. Marie 02:04
21. 7. Luire 01:58

Erik Satie (1866-1925)
22. Gnossienne No.6 02:13

Darius Milhaud (1892-1974)
Deux poèmes
23. 1. Éloge V 03:26
24. 2. Le brick 02:19

Francis Poulenc (1899-1963)
Un soir de Neige, FP 126
25. 1. Le feu 01:04
26. 2. Un loup 01:27
27. 3. Derniers instants 01:48
28. 4. Du dehors 00:59

Maurice Ravel (1875-1937)
Piano Concerto In G, M. 83 – Arr. Roderick Williams
29. Adagio 09:05

Anna Markland, piano
I Fagiolini
Robert Hollingworth, conductor