陳薩 (Chen Sa) – Chopin: The 2 Piano Concertos (2008) SACD ISO

https://www.sa-cd.net/showtitle/5506
http://www.books.com.tw/products/0020150399?loc=P_009_018
https://www.amazon.com/Chopin-2-Piano-Concertos-Frederic/dp/B001F1YC2A

★英國廣播電台FM古典頻道Classic FM「當月最佳專輯」:發自靈魂深處的蕭邦協奏曲詮釋
★雙層多聲道,一般CD Player均可播放
★DSD Recorded

專輯簡介:

被英國廣播電台FM古典頻道譽為「同輩中最耀眼的演奏家之一」,陳薩在歐洲、中國大陸、日本、美國等地都受到熱烈歡迎。1996年十六歲時,陳薩出現在英國里茲鋼琴大賽(Leeds International Piano Competition)的決賽舞台上,是該賽有史以來最年輕的決賽入圍者。那場比賽由拉圖(Sir Simon Rattle)指揮伯明罕市立交響樂團協奏,BBC廣播電台作轉播,令陳薩一炮而紅。

1979年出生於重慶,陳薩九歲開始跟隨但昭義教授學習(他也是李雲迪的老師),之後進入四川音樂院附中和深圳藝術學校,1994年獲得中國國際鋼琴比賽青年組第一名。由於1996年在里茲大賽的亮眼表現,陳薩獲得倫敦市政廳音樂與戲劇學校獎學金而赴英就讀,接受Joan Havill教授的指導,陳薩最終在市政廳音樂與戲劇學校取得鋼琴演奏碩士文憑。2000年陳薩在蕭邦鋼琴大賽得到第四名,並獲最佳波蘭舞曲演奏獎。2001年進入德國漢諾威音樂與戲劇高等學校深造,師事Arie Vardi教授。2005年,陳薩在第十二屆范‧克萊本鋼琴大賽獲第三名,成為唯一一位在三大國際鋼琴比賽中獲獎的鋼琴家。

2010年在蕭邦生誕200年之際,波蘭政府授予陳薩「蕭邦護照」,獎勵她在蕭邦音樂上的成就。陳薩在PentaTone已完成兩張錄音,錄於2008年得兩首鋼琴協奏曲被英國廣播電台FM古典頻道 (Classic FM)選為當月最佳專輯,形容她的演奏是「發自靈魂深處的蕭邦協奏曲詮釋」。隔年完成穆索斯基「展覽會之畫」和拉赫曼尼諾夫「繪畫風練習曲」錄音,英國「國際鋼琴雜誌International Piano Magazine」推薦其「展覽會之畫」為必備收藏版本之一。陳薩下一張錄音將挑戰拉赫曼尼諾夫第二號鋼琴協奏曲和葛利格鋼琴協奏曲,值得期待。陳薩目前定居於德國。(PentaTone/Lins)

Chopin, Piano Concertos No. 1 and 2, performed by pianist Sa Chen and the Gulbenkian Orchestra Lisbon, Lawrence Foster, conductor (Pentatone Classics). Buffalo Philharmonic Orchestra followers will remember Sa Chen from a year ago. In October 2007, she joined the orchestra for an unusual work, a piano concerto by Clara Schumann. Chen looks about 12 on her album cover here, but she’s 29. She is a promising pianist. She seemed timid last year riding the waves of the mercurial Clara Schumann, but her sensitivity shines in these Chopin concertos, which are more classical in style. — The Buffalo News, Mary Kunz Goldman, September 2, 2008

What we do have here, though, is a pianist whose technique is such that every note registers cleanly, captured in engineering that reproduces with precision an unusually beautiful piano tone. Any pianist worth his or her salt has recorded these works but I don’t think I’ve heard any achieve such a feeling of skipping lightness in the E minor’s first movement coda or in the opening of the Finale. This is followed by incredible dexterity in the triplets around 2’20 (where as elsewhere the bassoon’s line is also unusually clear) and in the left hand just after four minutes. There’s the same brilliant command of passagework in the F minor’s Finale and although Chen’s way in the slow movements is more finely thought-out than improvisatory – and she has strangely insistent way with the spread chords in the first concerto’s Larghetto, for example – her phrases are often delivered with disarming, almost Mozartian, simplicity.

Although the orchestral introductions to the two first movements are a touch routine, Foster and the Gulbenkian Orchestra provide more than adequate support, with some distinguished solo contributions – from horn and bassoon in particular. This is not necessarily a release to dislodge the front-runners in an extremely crowded field, but few have made these works sparkle quite as brilliantly as Chen. — MusicalCriticism.com, Hugo Shirley, October 2008

曲目
1-3. e小調第一號鋼琴協奏曲Op.11
4-6. e小調第二號鋼琴協奏曲Op.21
鋼琴:陳薩Sa Chen
佛斯特指揮里斯本古爾班基安管弦樂團
Lawrence Foster cond. Gulbenkian Orchestra Lisbon
錄音:2008年
(PentaTone/Lins)
規格:
DSD Recorded
Stereo
Hybrid Multichannel
Plays on All SACD and CD Players

Download:

mqslink.xyz_Ch0pinThe2Pian0C0ncert0sSaChenis0.part1.rar
mqslink.xyz_Ch0pinThe2Pian0C0ncert0sSaChenis0.part2.rar
mqslink.xyz_Ch0pinThe2Pian0C0ncert0sSaChenis0.part3.rar
mqslink.xyz_Ch0pinThe2Pian0C0ncert0sSaChenis0.part4.rar