Mississippi John Hurt – American Epic: The Best Of Mississippi John Hurt (2017)
FLAC (tracks) 24 bit/96 kHz | Time – 38:51 minutes | 408 MB | Genre: Blues
Studio Masters, Official Digital Download – Source: HDTracks | Digital Booklet | © Columbia/Legacy
Blues fingerpicking guitarist, singer and sharecropper Mississippi John Hurt was born in the heart of Mississippi Hill Country, along the veiny tributaries of the great American river. His moving renditions of “Frankie” and “Spike Driver Blues” were included in Harry Smith’s American Anthology of Folk Music in 1952 and were vitally influential on the Greenwich Village folk music revival of the 1960s as well as John Fahey’s development of the American Primitive Guitar genre. Single LP with single pocket tip-on jacket with soft touch finish.
“American Epic” compilation series is a collection of releases of music associated with the film series “The American Epic”, a historical documentaries are a journey back in time to the “Big Bang” of modern popular music.
In the 1920s, as radio took over the pop music business, record companies were forced to leave their studios in major cities in search of new styles and markets. Ranging the mountains, prairies, rural villages, and urban ghettos of America, they discovered a wealth of unexpected talent. The recordings they made of all the ethnic groups of America democratized the nation and gave a voice to everyone. Country singers in the Appalachians, Blues guitarists in the Mississippi Delta, Gospel preachers across the south, Cajun fiddlers in Louisiana, Tejano groups from the Texas Mexico border, Native American drummers in Arizona, and Hawaiian musicians were all recorded. For the first time, a woman picking cotton in Mississippi, a coalminer in Virginia or a tobacco farmer in Tennessee could have their thoughts and feelings heard on records played in living rooms across the country. It was the first time America heard itself.
This is not “remastering”, in the normal sense, but something closer to fine art restoration. The intent is not for people to marvel at the antiquity of these discs, but rather to experience them as vital, immediate performances that speak to us as directly as they did on the day they were recorded—not simply great art for their time, but great art for all times. Engineer Nicholas Bergh has reassembled this recording system from original parts and it is now the only one left in the world. The system consists of a single microphone, a towering six-foot amplifier rack, and a live record-cutting lathe, powered by a weight-driven pulley system of clockwork gears. The musicians have roughly three minutes to record their song direct to disc before the weight hits the floor. In the 1920s, they called this “catching lightning in a bottle”.
01 – Frankie
02 – Ain’t No Tellin’
03 – Spike Driver Blues
04 – Avalon Blues
05 – Louis Collins
06 – Candy Man Blues
07 – Stack O’Lee
08 – Praying On the Old Camp Ground
09 – Blue Harvest Blues
10 – Got the Blues (Can’t Be Satisfied)
11 – Big Leg Blues
12 – Nobody’s Dirty Business
13 – Blessed Be the Name