Johannes Brahms – Symphony No. 4 & Violin Concerto – Les Dissonances, David Grimal (2014)
FLAC (tracks) 24-bit/48 kHz | Time – 01:18:09 minutes | 786 MB | Genre: Classical
Studio Master, Official Digital Download – Source: Qobuz | Booklet, Front Cover | © Dissonances Records
Recorded: 27 October 2012 (concerto); 12 February 2013 (symphony), l’Opéra de Dijon, Dijon
World premiere: the Fourth Symphony of Brahms without a conductor. Les Dissonances reinvent the musical practice through a participatory organization where all share the same artistic standards. Violin and orchestra are one, the interpretation of the work being carried both by solar violin David Grimal and intense listening to the structure of the work by all the musicians. The unique sound of this record is based on the use of period instruments by Les Dissonances, all brilliant soloists from major European orchestras.
From what the booklet tells my not-great French reading skills, Les Dissonances is a chamber orchestra that performs all across France and is starting its own record label. From what my ears tell me, they might actually be a glorified chamber music group. Timpani enthusiasts will rejoice, because the string section sounds a lot like an octet. There are actually 33 string players, but they sound fewer; it might be because the especially small group of cellos and basses means a top-heavy timbre. Rarely has a Brahms Violin Concerto given such prominence to the percussion player.
Then again, this is a unique Violin Concerto reading in many ways. For one, the live concert was miked so that the violinist isn’t blown out of proportion. David Grimal is placed front and centre but balanced with the orchestra naturally. It sounds like you’re in a real concert hall. Grimal is a pretty good soloist, who produces a slender but attractive tone and has no problems with the part. As you’d expect from a chamber orchestra with forwardly-placed woodwinds, the concerto’s slow movement is a true highlight. In the finale Grimal misses the last extra spark of inspiration or fire: whatever you choose to call that thing that elevates the truly great performances – like Anne-Sophie Mutter’s.
The Fourth Symphony is at a disadvantage, though. The undersized string sections just can’t expect to match or better glorious playing from the Vienna Philharmonic (Kleiber or Kertesz), SWR or NDR Orchestras (Gielen and Wand), or Pittsburgh Symphony (Janowski). Unlike in the Violin Concerto, some climaxes (notably in the slow movement) don’t sound powerful enough, with the timpanist holding back and the live recording growing congested. The flute solo highlights an otherwise underwhelming finale.
There are some things Les Dissonances might consider doing differently next time. For one thing, the names of the works are printed on the cover in what must be size 1 font. Go look at the cover photo. Can you even see them? For another, the booklet could at least mention the music performed. Grimal uses an unusual and interesting cadenza in the concerto, and I don’t recognize it, but there’s no info. Additionally, the ensemble purports to have no conductor, but then why does Grimal get billing not just as the soloist but the orchestral leader, the guy whose face is on the cover, and the guy whose name takes up the title for their website’s homepage (“Les Dissonances – David Grimal”)?
Most importantly, Les Dissonances can live up to their promise by choosing more suitable repertoire. Maybe they can do a series pairing the symphonies of Robert Schumann with those of Frenchwoman Louise Farrenc, whose admirers included Berlioz. That would be excellent. I’ll make a wish. –Brian Reinhart, MusicWeb International
Johannes Brahms (1833-1897)
Violin Concerto in D major, Op. 77
1. I. Allegro ma non troppo 22:33
2. II. Adagio 8:23
3. III. Allegro giocoso, ma non troppo vivace 8:43
Symphony No. 4 in E minor, Op. 98
4. I. Allegro ma non troppo 12:01
5. II. Andante moderato 10:50
6. III. Allegro giocoso 5:57
7. IV. Allegro energico e passionato 9:42
David Grimal, violin