Billy Joel – Streetlife Serenade (1974/2014) [HDTracks FLAC 24bit/96kHz]

Billy Joel – Streetlife Serenade (1974/2014)
FLAC (tracks) 24 bit/96 kHz | Time – 37:55 minutes | 802 MB | Genre: Pop, Rock
Studio Master, Official Digital Download – Source: HDTracks | @ Legacy/CBS/Sony

Streetlife Serenade is Billy Joel’s third studio album and was originally released on October 11, 1974. Recorded during the spring and summer of 1974 at Devonshire Sound in North Hollywood, CA, the album was produced by Michael Stewart and was Joel’s second album to be released with Columbia Records. Streetlife Serenade was Joel’s follow-up to 1973’s massively successful Piano Man, and peaked at #35 on the US Billboard 200 and would eventually be certified Platinum by the RIAA.

Billy Joel hit a bit of a slump with Streetlife Serenade, his third album. Stylistically, it was a reiteration of its predecessor’s Tumbleweed Connection obsessions, spiked with, of all things, Rockford Files synthesizers and ragtimes pulled from The Sting. That isn’t a facetious reference, either — it’s no coincidence that the record’s single and best song, “The Entertainer,” shares a title with the Scott Joplin rag that provided The Sting with a main theme. Joel is attempting a grand Americana lyrical vision, stretching from the Wild West through the Depression to “Los Angelenos” and “The Great Suburban Showdown.” It doesn’t work, not only because of his shortcomings as a writer, but because he didn’t have the time to pull it all together. There are no less than two instrumentals, and even if “Root Beer Rag” (yet another sign of The Sting’s influence) is admittedly enjoyable, they’re undeniably fillers, as is much of the second side. Since he has skills, he’s able to turn out a few winners — “Roberta,” a love song in the vein of Cold Spring Harbor, the mournful “Streetlife Serenader,” and the stomping “Los Angelenos” — but it was the astonishingly bitter “The Entertainer,” where he not only disparages his own role but is filled with venom over “Piano Man” being released in a single edit, that made the subtext clear: he had enough with California, enough with the music industry, enough with being a sensitive singer-songwriter. It was time for Billy to say goodbye to Hollywood and head back home to New York.

Tracklist:
01 – Streetlife Serenader
02 – Los Angelenos
03 – The Great Suburban Showdown
04 – Root Beer Rag
05 – Roberta
06 – The Entertainer
07 – Last Of The Big Time Spenders
08 – Weekend Song
09 – Souvenir
10 – The Mexican Connection

Personnel:
Billy Joel – harmonica, keyboards, Vocals, Moog synthesizer
Richard Bennett – guitar
Joe Clayton – conductor, conga
Gary Dalton – guitar
Mike Deasey – guitar
Don Evans – guitar
Wilton Felder – bass, keyboards
Emory Gordy, Jr. – bass
Al Hertzberg – guitar
Larry Knechtel – bass
Art Munson – guitar
Raj Rathor – guitar
William Smith – organ
Michael Stewart– guitar
Ron Tutt – drums
Tom Whitehorse – banjo, pedal steel

Production:
Producer: Michael Stewart
Engineer: Ron Malo
Digital remastering: Joseph M. Palmaccio. Erroneously credited to Ted Jensen
Arrangers: Michael Stewart, Billy Joel
Tape research: John Naatjes
Art direction: Ron Coro
Design: Ron Coro
Photography: Peter Cunningham, Jim Marshall

Download:

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